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1. #Mainstage 3 omnisphere 2 not saving to concert Patch#
2. #Mainstage 3 omnisphere 2 not saving to concert software#
3. #Mainstage 3 omnisphere 2 not saving to concert free#
4. #Mainstage 3 omnisphere 2 not saving to concert mac#

#Mainstage 3 omnisphere 2 not saving to concert software#

On numerous occasions, shortly after loading a concert, patches from various software instruments play out of tune.

#Mainstage 3 omnisphere 2 not saving to concert free#

This basically tells MainStage, ‘do NOT route things by default without asking me’, and can save you from headaches when you accidentally touch a control on your keyboard and sound suddenly disappears.I'm running Mainstage 3 on a Macbook Air (2013) with an i7 processor, 8 GB RAM and 512 GB SSD containing over 100 GB of free space. You may want to delete the ‘unassigned’ item which is routed to ‘all channel strips’. Open up the ‘assignments and mappings’ window and take a good look at what is controlling what. With all of this in mind, one of the things I often do after creating a MainStage concert is to take a ‘top down’ look at my routing. MainStage does, however, often have a bunch of default routing options enabled-and don’t forget that many plugins simply respond to MIDI channels on their own, no help from MainStage required! Routing is a pretty simple process, as you can use MainStage to ‘learn’ what to do with each physical control on your keyboard. One of the coolest things about MainStage is the ability to have just about anything on your physical keyboard control any element of your sounds and plugins.

#Mainstage 3 omnisphere 2 not saving to concert Patch#

You can do this with an entire patch, or you can do this with individual elements within a patch like a channel strip. To create an alias, simply copy something, then go to the ‘edit’ menu and select ‘paste as alias’. Adjust the original piano sound, and all of the aliases follow suit. By creating your first piano sound, then copying it and pasting it into every other utilized sound as an alias, your new patches are all simply pointing to the piano sound instead of creating their own new piano sound. You don’t have to worry about this if you’re using aliases. You’ll have to go back into every patch and change the piano sound for all of them. Now imagine you’re at the gig, and you decide the piano you chose is far too bright for the venue you’re in. Let’s say you’ve created a concert that has a piano sound, then you also make a bunch of patches that have layers on top of it-piano and strings, piano and organ, piano and choir, etc. Basically, you can use aliases to create ‘pointers’ that direct MainStage to utilize a previously created patch or channel strip.Īt the channel strip level, this can be helpful to utilize a common sound throughout various combinations and layers. Using aliases is one of the most powerful features of MainStage, and it also helps to make your computer better mimic the behavior of a patch/combi setup of a keyboard workstation. I can simply tweak the sound at the concert level and the adjustments apply across all of my patches. If I determine at sound check that the venue isn’t being kind to a certain frequency, I don’t have to go into each individual patch to make adjustments.

I’ll often put some EQ controls at the top level. This is incredibly helpful if you want to create global adjustments. If you select a patch, however, and add a channel, then whatever you created is only available for that patch. Select the entire concert in the browser, then create a reverb channel, that reverb is now available for every single patch in the entire concert. Essentially, anything you create and set at a higher level overrides whatever you set at a lower level. There is a hierarchy that exists to allow you to have consistency across your sounds, and allow for diversity within patches at the same time. Understanding the concert, set, and patch paradigm is key to harnessing the power of MainStage. Configuring your MainStage concert files takes some time, and setting things up so that your show runs efficiently and in a stable manner is key for having a successful MainStage experience. You’ll also find MainStage in the backline setup of a multitude of tours, driving both keyboard and guitar setups. You’d be hard pressed to find a Broadway musical these days that doesn’t trigger sounds for the keyboard players using MainStage.

#Mainstage 3 omnisphere 2 not saving to concert mac#

Apple’s MainStage has quickly become the de facto standard for hosting virtual instruments on Mac platforms.